Collection

Master Fisher

CATEGORY:
Contemporary Art
YEAR:
2016
MEDIUM:
Acrylic, paper, ink, enamel on canvas
SIZE:
60 x 36 in.
GIFT OF:
Susan A. Olde, OBE

This work was created for NGCI’s 2016 exhibition Native Sons: Twenty Years On — a celebration of the 20th anniversary of the artist collective’s founding in 1996. Employing the artist’s favoured collage technique, Suckoo Chollette creates a surreal vision of a voluptuous female figure, reflecting the broader shift in her practice towards non-literal and highly symbolic modes of representation. The artist further comments that Master Fisher expresses conflicting feelings of inadequacy and delusions of grandeur, as well as our inability “to see the value of other people’s truth”.

Nasaria Suckoo Chollette - Master Fisher
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1. Nasaria Suckoo Chollette - Master Fisher
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About the Artist
Nasaria Suckoo Chollette

b. 1968

Born in George Town, Grand Cayman, Suckoo Chollette received a BA in Theatre and an MA in Educational Theatre from New York University. She is a member of the artists collective Native Sons and has exhibited widely both with the group and as a solo artist. An accomplished poet and actor, her work explores themes of female strength and empowerment, race and the repercussions of enslavement, as well as the erosion of Caymanian cultural traditions. In 2006 Suckoo Chollette won first place in the McCoy Prize competition for her painting Maiden Plum, and in 2019 she was the Bendel Hydes award winner in the inaugural biennial exhibition for her work Becoming Again (2019). In 2021 she was also the recipient of a Gold Star for Creativity at the National Arts and Culture Awards Ceremony. Her work is included in the permanent collections of NGCI and the Cayman Islands National Museum, and is featured in Art of the Cayman Islands, the islands’ first formal art history (Scala Fine Art Publishers Ltd., Fall 2016). NGCI exhibitions include: Native Sons’ Fahive (2005), The Persistence of Memory (2011), Metamorphoses (2014), All Access (2015), tIDal Shift: Explorations of Identity in Contemporary Caymanian Art (2015), Native Sons – Twenty Years On (2016), Speak to Me (2016), Mediating Self (2017), Revive: Contemporary Caymanian Craft (2017), Cross Currents – 1st Cayman Islands Biennial (2019), Island of Women: Life at Home During our Maritime Years (2020), Interior and Interiority (2020), Reimagined Futures – 2nd Cayman Islands Biennial (2021) and The People’s Collection – A 25-Year Cultural Legacy (2022).