Safe Harbour
This tranquil scene, painted from a historical photograph found in the Cayman Islands National Archives, depicts fishermen returning home after a long day at sea. This is an early figurative work by the artist, who is better known for his large-format, semi-abstract paintings that resemble stained glass windows. While sentimental in its harking back to a simpler time in Cayman’s history, this image is also intended as a celebration of the artist’s Caymanian heritage.
About the Artist
Randy Chollette
b. 1975
George Town–born Randy Chollette is an intuitive, self-taught artist who earned recognition early in his career by winning ‘Best in Show’ at Blue, an exhibition at Kensington-Lott Fine Art Gallery in 2002, and The McCoy Prize People’s Choice Award in 2003. His work is often distinguishable by its signature black outlined mosaic configuration. A member of the Native Sons collective, he moves confidently between Realism and abstraction, and his Rastafarian beliefs are woven into the style and subject of his paintings. His work forms part of many private collections and the public collections of NGCI, the Cayman National Cultural Foundation, and the Cayman Islands National Museum. NGCI exhibitions include: Arreckly: Towards a Cultural Identity (2007), The Persistence of Memory (2011), Founded Upon the Seas (2012), tIDal Shift: Explorations of Identity in Contemporary Caymanian Art (2015), Native Sons – Twenty Years On (2016), Speak to Me (2016), Saltwater in their Veins (2017), Cross Currents – 1st Cayman Islands Biennial (2019), and Island of Women: Life at Home During our Maritime Years (2020).
