Untitled Part I & II
In the mid-1990s Hydes produced two large bodies of abstract work that extend his ongoing engagement with Cayman’s seafaring past: Soundings in Fathoms (1994-95) and Source (1996). Untitled I & II (1995) explores similar thematic territory, adopting the same palette of earth tones to create a surface marked by ambiguous circular forms, evoking nautical cartography and the scattering of small islands that dot the western Caribbean — the same terrain that was once traversed by Cayman’s intrepid turtle fishermen.
About the Artist
Bendel Hydes
1952–2024
Bendel Hydes was universally celebrated as the founding father of Caymanian art, being the first Caymanian to acquire formal fine art training and the first to receive international acclaim for his work, while also helping to cofound both the Cayman National Cultural Foundation and the National Gallery of the Cayman Islands. Hydes studied at Liverpool College of Art and Canterbury College of Art in England and subsequently received his B.A. from Clark University in the United States in 1976.
During the course of his career, he mounted solo exhibitions at the Commonwealth Institute, London and the 23rd International Bienal de Sao Paulo, Brazil, and his work has been featured in numerous publications, including Caribbean Art (Thames and Hudson: 1998) and A-Z of Caribbean Art (Robert & Christopher Publishers: 2019). Hydes’ work was included in two of the most prestigious surveys of Caribbean art of the past three decades: Carib Art (1995-96) and Caribbean Visions: Contemporary Painting and Sculpture (1995-98), which travelled to the Smithsonian Institution in Washington, D.C. Works by Hydes are held in the collections of the Cayman Islands National Museum and the Cayman Islands National Archive, as well as numerous private collections internationally.
Solo exhibitions at the National Gallery of the Cayman Islands include Soundings in Fathoms (2003), Circumnavigating the Globe (2012) and Bendel Hydes- A Retrospective (2019)— the latter a comprehensive survey of the artist’s fifty-year career. Additionally, Hydes work has featured in numerous group exhibitions at NGCI, including: Founded Upon the Seas (2012), Metamorphoses (2014), Upon the Seas (2017), Cross Currents – 1st Cayman Islands Biennial (2019), Tropical Visions (2019), Saltwater in their Veins – A National Gallery Permanent Collection Exhibition (2020), The People’s Collection – A 25-Year Cultural Legacy (2022), The Ties that Bind: A Journey through the National Collection (2022), 81° West: Cartographic Explorations in Contemporary Caymanian Art (2023) and Thatch Roofs & Ironwood Posts: The Art and Artistry of the Caymanian Home (2024).
